Daniel’s Husband
Impeccable performances from an incredible cast ensure that you’ll still be thinking about Michael McKeever’s emotionally charged play long after you leave the theatre.
The Fit Prince
The Fit Prince is very funny and highly enjoyable, proving Linus Karp and Joseph Martin still have the ability to surprise, delight, innovate and entertain with this, their fourth original show.
The Importance Of Being Earnest
“ There aren’t many actors better placed to encapsulate Lady Bracknell’s sharp wit, social snobbery, and authoritative nature, whilst speaking Wilde’s words with such scholarly and comedic assurance than Stephen Fry “
Good Night, Oscar
“ Doug Wright has written a play that is as funny as it is tragic, Sean Hayes triumphant performance being the jewel in the crown of Lisa Peterson’s stylishly directed production “
This Bitter Earth
“ Wonderfully acted, tightly directed and stylishly designed, everything about This Bitter Earth delivers right up until an end so heavily signposted that it ultimately feels robbed of its potentially greater impact. “
Supersonic Man
“ Despite all the fantastical qualities associated with musical theatre, Dylan Aiello’s performance nails the complexities of the ever-changing emotions inherent in dealing with a life-changing diagnosis “
Midnight Cowboy
“ It’s unfortunate that the show’s highlights only served to amplify the productions defects whilst frustratingly hinting at a better production that just seemed unable to find its stride. “
Down The Road
“ More ‘intense psychological thriller’ than ‘serial killer carve-up’, (and being all the better for it) Down The Road examines how our modern day fascination with murder has changed from curiosity to consumption “.